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ArtResolve : News & CommentNewsletter - February 2000Formal launch of Art Resolve Mediation training |
Newsletter - February 2001Inauguration of ArtResolveThe official inauguration of ArtResolve, at a reception held at the Royal Society of Arts in June 2000, was attended by over 100 people. The event owed much to the generous sponsorship of two London firms of solicitors, Alexanders of 203 Temple Chambers, Temple Avenue and Nicholson Graham and Jones of 110 Cannon Street. It was particularly pleasing to welcome representatives from the fields of arts journalism, museum and gallery administration, government and legal practice.The occasion was marked by a very cordial message of support from the Minister for the Arts, the Rt Hon Alan Howarth, CBE MP. In his letter the Minister expressed his confidence in the project and in its founding body, one member of which (Professor Norman Palmer) he had recently appointed to chair the Ministerial Advisory Panel on the Illicit Trade in Cultural Objects. He made the point that the initiative was wholly in keeping with the Government’s own policy of encouraging out-of-court methods of resolving disputes. International CouncilWe were honoured to be able to announce at the Inaugural Reception that the Hon Sir Anthony Mason, AC KBE, has agreed to become the International President for ArtResolve. Sir Anthony is a jurist of immense distinction, having been the Chief Justice of Australia from 1987 to 1995 and being currently a member of the Hong Kong Court of Permanent Appeals. He also has substantial experience of arbitration (including World Bank arbitration) and of other forms of dispute resolution.Sir Anthony will be joined by an International Advisory Council, appointments to which will be announced over the coming year. The Council will lead us towards wider international development and guide our response to global conditions. We are delighted to announce that Professor Pierre Lalive, a scholar, arbitrator and practising lawyer of unparalleled eminence in our field, has already accepted an invitation to join the Council. International developmentsIn October 2000, Norman Palmer visited Venice to speak at the Art Law symposium of the Foundation for the Venice Court of National and International Arbitration. Along with lawyers from Germany, Canada, the United States and elsewhere, he took part in a round-table discussion, chaired by Pierre Lalive, on ‘nightmare art litigation’ which analysed specimen litigated art claims where formal court processes have proved inadequate. Others attending the seminar were Lord Steyn, a Lord of Appeal in Ordinary, who acted as one of three arbitrators in a mock arbitration involving spoliated art, and Hillary Bauer, Head of the Cultural Property Unit at the Department of Culture, Media and Sport, who had attended our inaugural reception.The collaboration with Venice proved so successful that the Venice Foundation has now invited ArtResolve to enter into a formal association with the Foundation, the terms of which are being discussed. From Venice, Norman Palmer went to Lithuania as a member of the United Kingdom delegation to the Vilnius Forum on Holocaust Claims and gave an address on the legal and evidential difficulties of cross-border legal claims for spoliated art. Norman Palmer is a member of the Spoliation Advisory Panel established by the Minister for the Arts in May 2000, under the chairmanship of Sir David Hirst, to consider claims by persons who lost possession of cultural objects over the period 1933 to 1945. Significantly for our field, the Resolutions adopted by the Vilnius Forum at its plenary session in October 2000 include an endorsement of the Washington Conference Principles of December 1998 on Nazi-Confiscated Art. The Eleventh Washington Principle calls on nations to "develop national processes to implement these principles, particularly as they relate to alternative dispute resolution mechanisms for resolving ownership issues." We believe that the foundation of ArtResolve conforms to the spirit of this principle. Later in October Norman Palmer spoke at the Holocaust Claims Forum at Geneva (organised by the Art Law Centre) and at the Museums Conference at Paris (organised by the European Registrars’ Group). At each conference his paper was followed by a discussion on the avoidance, adjudication and mediation of third-party title claims to works of art. ArtResolve was well represented at the Institute of Art and Law Annual Lecture in London in December 2000. The event was sponsored by Invaluable and drew an audience of almost two hundred people. Sharne Thomas organised and chaired William G Stewart’s lecture on the Parthenon Sculptures and other members present included Dick Ellis, Hetty Gleave and Paul Britton. Also in December 2000, Norman Palmer spoke at the Institute of Art and Law seminar on Repatriation from Museum Collections, his subject being ‘Legislation, Litigation and Loss’. The seminar, which was also addressed by David Hill, Hillary Bauer, Laura Peers, Elizabeth Cameron, Len Pole, John Picton, David Lowenthal and Christopher Robbins, was sponsored by Maxima and hosted by the international law firm Clyde and Company. At all of these events the desirability of finding ways of settling art disputes by methods other than court action was a recurrent theme. ‘Ave atque vale’Hetty Gleave has been elected Chair of ArtResolve from February 2000 having been Acting Chair since October 2000. A practising solicitor and Visiting Lecturer at the Institute of Art and Law, Hetty has extensive experience of commercial transactions and disputes. After qualifying as a solicitor she read for the degree of Master of Laws at University College London, where her studies included the law of cultural property, a course taught by Norman Palmer.Four new directors join our existing board from February 2001. A cordial welcome is extended to Rosslyn Lee, a barrister and Civil War historian, Ian Snaith, Reader in law at Leicester University and an expert on money laundering, Sharne Thomas who joins us from the Institute of Art and Law where she was manager and responsible for ArtResolve registration, and Paul Britton who joins us from the valuations department of Phillips De Pury and Luxemburg. They will work alongside the three original directors, Hetty Gleave, Margaret Hatton and Norman Palmer, in raising awareness of the potential of non-forensic methods of dispute resolution in art claims and in developing the use of pre-dispute ArtResolve clauses. Pressure of commitments has compelled others to take their leave. John Kendall relinquished his position as our Chairman and Director late in 2000 and we are particularly grateful to him for the significant contribution he made to ArtResolve in our formative months. Other departures were those of Tony Baumgartner and Roger Bland who were both also exceptionally helpful to us in the initial stages and played a large part in our foundation. All three take with them our good wishes. Norman Palmer will act as Treasurer until further notice. Towards the horizonA principal challenge for the New Year is to ensure that as many disputes as possible that can be resolved through ArtResolve are so resolved. To this end an expert team from among the directors will be visiting museums and other art institutions to convince them of the virtues of incorporating ArtResolve dispute resolution clauses within their contracts, so that alternative means of settling disputes are considered from the outset rather than merely after a dispute has arise. We believe that education in ArtResolve techniques may in due course even prevent potential disputes from materialising into real disputes requiring resolution at all.A key element in our capability will be the specialist team of art experts which we have assembled over the past year. Specialist in-house training courses have been developed to introduce these experts to the concept of mediation and over ten non-law professionals have now joined our expert panel. In addition to expert determinations and early neutral evaluations they will therefore also be able to assist mediators in those mediations which require a specialist knowledge within a particular field. Of course, in addition to our list of experienced non-law mediators we maintain a panel of lawyer dispute resolvers, drawn from former judges and current members of the legal profession. Approaches have already been made to ArtResolve in relation to major international heritage disputes and further developments are likely by the time of our next letter. With a renewed and strengthened board of directors, and a strong team of mediators and expert advisers, ArtResolve has much to look forward to in the new millennium. We will continue to promote the virtues of arbitrating and mediating art-related disputes among all who are likely to be involved in such disputes. We are confident that ArtResolve will become synonymous with the fair and efficient resolution of disputes throughout the art and cultural property world. Feb 2001 |
Art Resolve launched on 13th July 2000ArtResolve was formally launched on Thursday, 13th July 2000 at a reception held at The Royal Society of Arts, with the support of two law firms, Alexanders and Nicholson Graham & Jones. Attendance reflected the wide spectrum of professions which ArtResolve’s services are designed for. Among others, there were representatives from auction houses, art recovery agencies, galleries, museums, insurance brokers and law firms. The Minister for the Arts, Alan Howarth, was to have attended the launch, but the Parliamentary timetable unfortunately prevented him from doing so. However it did not prevent him from sending a ringing endorsement of ArtResolve, as follows: "I cordially welcome the new initiative that ArtResolve represents. It is in the best spirit of creative exploration of ways of solving disputes and handling claims in this area. All the ideas behind this accord very closely with the Government’s own policy on encouraging the resolution of disputes by out of court means. It also display a similar approach to that which I have adopted in the specific area of claims relating to cultural property, namely the Spoliation Advisory Panel, which has been established to handle claims from anyone who lost possession of a cultural object during the nazi era where this is now in a United Kingdom public collection. This is a most distinguished Panel, including as it does Professor Norman Palmer! |
| MEDIATION TRAINING
ArtResolve runs introductory training days in mediation as a means of resolving disputes about works of art and antiquity. The training days are aimed primarily at art experts who are not qualified as lawyers, but are open to lawyers as well. The training is intended for those who have little or no knowledge of mediation but wish to gain insight into its use for resolving art and antiquity disputes. During the day there are sessions on the following topics: the legal and negotiating background, the principles of good mediation, how to be an effective mediator, and working through the various phases, with a mock mediation on video and role-plays. The training day does not provide any formal qualification for mediation, for which it would be necessary to apply to an independent provider. However those art experts who do attend the course will be eligible to work alongside fully trained lawyer mediators on ArtResolve cases. The training is given by Ross Lee, who is a director of Artresolve and is a fully trained mediator. Future training days will be arranged periodically, probably on a weekend. The cost of training days is £100 per person, to include tea, coffee, and a light lunch. If you are interested, please contact ArtResolve. |
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